Arthur Lester (
lestercraft) wrote in
silentspringlogs2024-05-20 10:42 am
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Part Four: The Encounter
Who: Arthur Lester and PEOPLE
When: April/May catch-all
Where: All over Sweetwater!
Open/Closed: OPEN
Applicable Warnings: Discussion of torture and missing persons, general malaise and paranoia.
Solo
It's been... difficult in a way Arthur can't quite elaborate on.
Or, well. He can. It fucking sucks. But it's something he doesn't, because he doesn't want anyone pitying him more than he already has to fucking deal with. Because he knows (feels incredibly strongly) that everyone already sees him as useless - or worse, helpless. And he can fucking take care of himself, he managed it before Parker decided to hitch his cart onto this dead fucking horse.
Washing and drying his clothes, he can manage: he and Helly had to learn how to use the machines together to begin with. Ironing, he can't - he's not even going to pretend he won't burn himself, or set something on fire somehow.
Sorting is right out. So the meticulously matched suits of months past are gone completely; Arthur's new look, as May stretches on, are completely mismatched. At least to some degree his suits are still fine; all of his suit colours work together, so instead he just looks visibly rumpled, his tie is slightly but visibly uneven - at least he can shave and style his hair alone, but it's a rather disparate and unbecoming image, especially with the whispers he keeps leaving in his wake, about being constantly arrested and kidnapping that poor driver and maybe he's faking that he's blind--
It's difficult to keep up a foul mood all month, but by God is this place making him want to try. At least the other Book Club members (or whatever the fuck they're calling themselves) at least know that he's still up for a conversation if they find him in the diner, or the library trying to keep up studying Braille. Or even just on the street, having finally mastered his cane by sheer brute force.
With John
...and then he's not alone.
Because there's a teenager with him pretty much constantly from then on. A golden-haired youth with brown eyes that hangs out nearly exclusively on his left side, talking incessantly. It's not like it's a one-sided discussion, Arthur is clearly engaged and listening, replying even, but most of the time it's just the teenager talking at him about - pretty much everything, but a casual listener will definitely notice that it's mostly about the things around them, describing what he's seeing for Arthur.
And it's not subtle how John is staring down anyone who tries approaching them, to the point of glaring when people get too close, but there's the definite impression that if anyone wants to talk to Arthur in private - yeah, that's not happening. The child is coming too.
When: April/May catch-all
Where: All over Sweetwater!
Open/Closed: OPEN
Applicable Warnings: Discussion of torture and missing persons, general malaise and paranoia.
Solo
It's been... difficult in a way Arthur can't quite elaborate on.
Or, well. He can. It fucking sucks. But it's something he doesn't, because he doesn't want anyone pitying him more than he already has to fucking deal with. Because he knows (feels incredibly strongly) that everyone already sees him as useless - or worse, helpless. And he can fucking take care of himself, he managed it before Parker decided to hitch his cart onto this dead fucking horse.
Washing and drying his clothes, he can manage: he and Helly had to learn how to use the machines together to begin with. Ironing, he can't - he's not even going to pretend he won't burn himself, or set something on fire somehow.
Sorting is right out. So the meticulously matched suits of months past are gone completely; Arthur's new look, as May stretches on, are completely mismatched. At least to some degree his suits are still fine; all of his suit colours work together, so instead he just looks visibly rumpled, his tie is slightly but visibly uneven - at least he can shave and style his hair alone, but it's a rather disparate and unbecoming image, especially with the whispers he keeps leaving in his wake, about being constantly arrested and kidnapping that poor driver and maybe he's faking that he's blind--
It's difficult to keep up a foul mood all month, but by God is this place making him want to try. At least the other Book Club members (or whatever the fuck they're calling themselves) at least know that he's still up for a conversation if they find him in the diner, or the library trying to keep up studying Braille. Or even just on the street, having finally mastered his cane by sheer brute force.
With John
...and then he's not alone.
Because there's a teenager with him pretty much constantly from then on. A golden-haired youth with brown eyes that hangs out nearly exclusively on his left side, talking incessantly. It's not like it's a one-sided discussion, Arthur is clearly engaged and listening, replying even, but most of the time it's just the teenager talking at him about - pretty much everything, but a casual listener will definitely notice that it's mostly about the things around them, describing what he's seeing for Arthur.
And it's not subtle how John is staring down anyone who tries approaching them, to the point of glaring when people get too close, but there's the definite impression that if anyone wants to talk to Arthur in private - yeah, that's not happening. The child is coming too.
no subject
He can't, of course, but when his mind gets ahead of his hands he grips the other man by both arms, like he's got to impart his giddy energy onto Arthur somehow. Then he takes his hands back and nods both fists into the other man's to show that yes, that's indeed the sign. He'd like to explain the particulars of why; the rather demonstrative and visceral nature of that open circle and what it represents, but he lets it pass for now.
Now that he knows Arthur knows the alphabet, Wrench is happy to use that instead. It feels clearer than writing letter by letter with his index finger, and he hopes it feels that way to the other man too.
Your handwriting too.
He refused to say much. Said he needed your permission.
no subject
John is
He pauses, tapping his pen as he thinks of the best words, and ends up making a list of dot points.
- not a child
- not human
- part of eldritch god King in Yellow
- my eyes. he describes everything so i can "see" it
- anything you tell me you can tell him. assume we tell each other.
He makes a face, a sudden terse frustration, and adds beneath it:
no one fucking told me bucky only has 1 arm
no subject
Only he doesn't know what to make of any of that. The words aren't wholly unfamiliar, but they have no context in his version of reality. Eldritch gods and cursed stories he's never read. It would all be a little harder to wrap his mind around if they weren't currently standing in the middle of the 1960s in a town he's never even heard of.
Wrench doesn't know what to make of all of that, so he takes the easy route.
Bucky and I haven't spoken. Haven't spoken to many people. You can guess why.
He shrugs, mostly to himself. Wrench wouldn't have thought to tell Arthur even if he did know Bucky any better, assuming the man would've already known. But he can see where that's an unfair assumption. He knows how little he knows compared to how much people talk, because of the ways they tend to talk around him too.
He said he took your sight. But you're not mad at him?
no subject
'But you're not mad at him', though. That gets a rather unkind little smirk.
Bigger things to worry about. Don't worry, Wrench, he's still mad. He just can't do anything about it, and right now working together is more important than being rightfully furious about his agency being taken from him carrying over to this hellhole.
Next time we try something, he's with me.
no subject
If that's what's waiting for him on the other side of town, Wrench isn't in any real hurry to get back there.
Some people have left. John just arrived. There must be ways in and out we aren't thinking of.
no subject
It was difficult to try and create a hypothesis about anything - there were simply too many missing pieces. The memories they were receiving seemed to speak of people who had once been happy, in a normal, mundane way, who had had something happen to them - but the opportunity to learn anything about them at all was too limited, especially for him. Perhaps with John now that might change a bit, but as it stood there was just- too many gaps, too large to bridge just yet.
There must be somewhere obvious we haven't searched yet.