Jesus Christ he can't even apologise now apparently? That fans another spark of irritation, and he sharply shrugs Bucky's hand off when he feels it land to 'help' him into the car. He knows how to not hit his head on the fucking car roof, he has both hands to guide him.
And when they sit in the car, he jams his cane between his legs, and is content to be sullen and pissed off for the rest of the drive back about it, but...
Bucky tries.
And then he's annoyed at himself all over again for it, that he knows he'll give in every time for it.
"You need to remember that nothing is self-evident. At the very least, I need to know where we are," he says stiffly, "what avenues I have for movement. The room size - walls, doors, furniture. Just- approximations is fine, I don't need every quarter-inch. Any noteworthy features- maybe paintings, or books, or- I-I don't know, cult symbols carved into the fucking drywall."
Though admittedly, the more he explains, the more he finds himself calming down to think about it properly. "If there's anything that seems- o-out of context, for the scene, like how you- you said you found the tag in Pollock's torture room. Anything relevant to the reasons we are investigating; if we're looking for evidence of guilt, for someone being complicit in a crime, then a journal or safe would be more relevant than the paintings on the wall. Anything I ask for more details on, no matter what relevance you think they might have otherwise."
no subject
And when they sit in the car, he jams his cane between his legs, and is content to be sullen and pissed off for the rest of the drive back about it, but...
Bucky tries.
And then he's annoyed at himself all over again for it, that he knows he'll give in every time for it.
"You need to remember that nothing is self-evident. At the very least, I need to know where we are," he says stiffly, "what avenues I have for movement. The room size - walls, doors, furniture. Just- approximations is fine, I don't need every quarter-inch. Any noteworthy features- maybe paintings, or books, or- I-I don't know, cult symbols carved into the fucking drywall."
Though admittedly, the more he explains, the more he finds himself calming down to think about it properly. "If there's anything that seems- o-out of context, for the scene, like how you- you said you found the tag in Pollock's torture room. Anything relevant to the reasons we are investigating; if we're looking for evidence of guilt, for someone being complicit in a crime, then a journal or safe would be more relevant than the paintings on the wall. Anything I ask for more details on, no matter what relevance you think they might have otherwise."